Whether or not you agree, some authors excel at helping us see things we think we know in an entirely different light. Here are our favourite books that do just that.
Great books for all reluctant readers
The surest sign that Smith has pulled this off successfully is that everyone thinks they read it the right way round. It follows a young woman who encounters the bookmobile which is stocked with every book she has ever read.
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A darkly haunting ode to the books that make us who we are. A murder mystery that has the audacity to reveal who killed whom right on the very first page. What makes it a modern classic is that despite this, you are glued to the page in the hope of finding out what led to the dramatic opening scene. Argentinian writer Borges was fascinated by language, imagination and the power of storytelling. He wrote short stories, essays and poems which often featured motifs of dreams, libraries and mazes. On the surface, this is the story of three people on a cruise ship; a woman, her boyfriend who might be about to propose, and her ex-lover.
A collection of essays from beloved writer, Zadie Smith, all about storytelling and art. Calvino is hailed as a postmodern master. As well as being incredibly clever, this book is also a hugely enjoyable exploration of reading, publishing and the purpose of fiction… where you, the reader, are the main character. Firstly, the novel is completely epistolary, that is to say, told entirely through letters.
Witty, profound, moving and desperately romantic. In scenes spread across a century, Burke writes deeply believable characters -- young and old, men and women, and life beyond that, too -- and paints her human society and alien ecosystem with equally deft brushstrokes. This is up there with Ursula K.
10 books that tell stories in unique ways
Le Guin: science fiction at its most fascinating and most humane. But when Chung was on the verge of becoming a mother herself, she decided to see what she could learn about her birth family of Korean immigrants. In this compelling memoir, she tracks that journey, as well as her childhood growing up with white parents in an overwhelmingly white small Oregon town. She writes with clarity, insight, and astonishing generosity about race, adoption, and family. There are stories of friendship, loving and barbed, of the tender violence of familial love, and of the freedom and pain of loneliness.
This is a powerful and tender collection. Come on. Written by: Meghan Flaherty Publish date: June 19 Why it's worth reading: When Meghan Flaherty was in her mids, she was in a relationship with her best friend -- a man who never touched her. What follows takes Flaherty from humdrum New York City dance studios to an intoxicating subculture that had been thrumming, unbeknownst to her, under the surface of her city all along. Flaherty lyrically captures the essence of the dance, as well as her stumbling journey into self-discovery, with a bit of toe sucking and bad sex along the way.
Written by: R. But this unique voice gives a surreal sheen to the novel, which makes its gut punches all the more powerful. He sees it for what it is, with all its flaws and pitfalls, but this brilliant, insightful book is hardly the story of a guilty pleasure. Instead, Mann writes about reality TV with his eyes wide open, about what it is and why he loves it. He also writes about who he loves it with, namely his wife, and the result is a twinned exploration of popular culture and personal experience, rich with resonance and nuance.
Mann writes eloquently about powerful moments and characters from reality TV -- his ode to Rob Kardashian is especially intense -- and casts that same searchlight on his most personal experiences, of love, shame, loneliness, and joy. Written by: Sarah Smarsh Publish date: September 18 Why it's worth reading: One of the most simplistic narratives of 21st century America is that of binaries: the heartland versus the coast, real Americans versus the out-of-touch elites, red and blue America.
Perhaps no one has punctured that mythology with as much insight and illumination as Sarah Smarsh does in this memoir. Smarsh grew up in rural Kansas in the s and '90s, and she interweaves her and her family's story with astute analysis of what it means to be poor in America and why so many hardworking people find themselves there. She confronts classism, racism, and sexism in an astonishing book that is both an indictment of America and a clear-eyed testament to Americans struggling to survive. An American Marriage delivers on both. But early in their marriage, Roy is falsely convicted of a crime, and his years in prison -- and then sudden release -- bring irrevocable change to their lives and their marriage.
Oprah said of the novel, "It's a love story that also has a huge layer of suspense. And it's also so current and so really now that I could not put it down. It is about race, family, weight, sex, art -- sweeping themes all inextricably tangled in Laymon's life and, especially, his relationship to his mother.
Explorations in Readers' Engagement with Characters
He addresses the book to her, and their fraught relationship, full in equal measures of love and pain. The intensity of Laymon's personal story would be enough to fuel a brilliant book, vividly told as it is, but Laymon has his eye on wider resonances, too, as he grapples with his life as a black man in America, the legacy he carries and the particular way he makes his way through the world. Laymon is an astonishing writer, always striving for honesty even when that means submitting to ambivalence and the impossibility of simple answers.
Those themes resonate throughout the collection, culminating in a wash of longing -- for the past, and also for what we might make of the present. Each story is a gem in this extraordinary book. Jamison is a notably lyrical writer, but what really shines is her curious, generous, sensitive mind, as she reframes stories we think we know -- John Cheever, Amy Winehouse, the War on Drugs itself -- and shines a light on new ones. Follow her on Twitter jaimealyse. Thumper : A stripper who is a regular client of the tattoo parlour where Truant works. Although Johnny has encounters with many women, he remains fixated on Thumper throughout.
Thumper's real name is eventually revealed to Johnny, but never to the reader.
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Will is the central character in The Navidson Record subplot of the novel. A stint in the army early in his life leads him to a very successful career as a photographer, primarily in war-torn parts of the world; his role as an impartial documentarist of war affects him deeply. Later in his life, he moves to the eponymous house located in the southeastern Virginia countryside , in an effort to find "[a] place to drink lemonade and watch the sun set", a place to "once and for all stay in and explore the quieter side of life" House of Leaves , page 9.
However the unnatural events that occur thereafter have a profound effect upon him and his relationship with his partner, Karen. Karen is Will's partner and a former fashion model.
She suffers from claustrophobia, and throughout the novel refuses to enter the labyrinth within her house. She also seems to be extremely insecure regarding her relationship with Will; he is 'her rock,' though it is confirmed that she had at least three long-term affairs during the course of their relationship. Curiously, the events of the novel only seem to reduce her dependence on Will as well as contributing to the eventual dissolution of their relationship. It is speculated that, during Karen's childhood, her stepfather once took Karen and her sister into a barn in their backyard.
He put one sister in a well while he raped the other, and vice versa. This event is widely considered to be the cause of her claustrophobia. However, several footnotes and comments about the incident question this claim another of many examples of the use of an unreliable narrator in the novel.
danardono.com.or.id/libraries/2020-02-22/zudih-what-is.php In the aftermath of the events in the house, she becomes an unlikely editor, approaching many real characters including Stephen King , Stanley Kubrick , Hunter S. Eventually, she is reunited with Navidson after she conquers her claustrophobia and saves him from the abyss of the labyrinth.
Tom is Will Navidson's somewhat estranged twin brother; Tom is a carpenter with substance addiction problems, who is markedly less successful than Will in his personal and professional life. After approximately 8 years of little contact, Will contacts Tom when he notices that his house is larger on the inside than the outside. This section is referred to in the book as a "sometimes funny, sometimes bizarre history of thoughts passing away in the atrocity of that darkness" House of Leaves , page He often refers to "Mr. Monster" and many of the jokes and anecdotes he provides are religious in nature.
However, in a test of his true character, he bravely saves Will's kids from being swallowed by the house before being swallowed himself. Billy is an engineer and a friend of Will's, whom Will enlists early on in the story to help him try to find a rational explanation for the house's oddities. Billy uses a wheelchair, having been paralyzed from the waist down in a freak engineering accident in India ; Will happened to be on the scene and took a photo of Billy moments before he became paralyzed.
Billy came across the photo after his accident and kept it as a reminder that he was fortunate to have survived. Once the house's irregularities become more extreme, Billy joins Will and Tom in a thorough analysis; after Holloway and his men go missing, Billy insists on joining Will on the rescue mission, navigating the maze in his wheelchair.
He eventually saves Will and Holloway's men from Holloway by engaging in a firefight with him, holding him back long enough for the house to "consume" Holloway. Billy survives the journey into the maze, but suffers persistent cold spells afterward as well as sustaining damage to his wheelchair. Holloway is an experienced explorer whom Will contacts in an effort to properly explore the labyrinth beneath his house. Holloway is presented as the consummate outdoorsman: He has successfully engaged in numerous expeditions which would have killed normal men, and is an expert in all forms of survivalist equipment, from spelunking gear to firearms.
He engages in two brief explorations of the labyrinth before deciding to take his men on a third, prolonged expedition, prior to which they load themselves up with enough food and water to last several days and enough provisions to—they believe—safely guide them back home. During the course of this exploration, Holloway reaches the bottom of the Great Staircase and becomes deranged due to finding nothing but more empty hallways.
The house's bizarre architecture leads him to believe an image he sees down a hall is the "monster" stalking them when, in fact, he is actually looking at his own men; he shoots one of them, and, upon realizing what he's done, suffers a complete psychological breakdown and tries to murder them.
Eventually, the house "traps" him by sealing him inside a series of locked chambers; alone and insane, Holloway records a series of unsettling final messages on a video camera before filming himself committing suicide. The tape of his death is recovered by Will from the labyrinth. The seconds leading up to the end of the tape reveal that either 1 Holloway's corpse is devoured by the "monster" he is convinced is real or 2 Holloway merely disappears into the blackness of the house.
When the House begins to attempt to harm the others late in the novel, Reston calls out Holloway's name. Whether Holloway had some influence on the house's actions before or after his suicide is left ambiguous. Kirby 'Wax' Hook : Another explorer of the labyrinth in Navidson's house.
He is ultimately shot in the shoulder by Holloway; however, he goes on to survive. The House leaves him with limited functionality in that shoulder, and an inexplicable case of impotence. However, after Navidson reenters the House for a fifth and final exploration, these symptoms disappear. Wax has a reputation as a flirt, who constantly attempts to hook up with women.
He kisses Karen Green, a scene which Will later witnesses on camera. Jed Leeder : The third explorer of the labyrinth in Navidson's house. He is shot by Holloway in the jaw, killing him. Around the times of the explorations, Chad is described as becoming increasingly aggressive and wandering. During the explorations of the house, Daisy is described as suffering from echolalia. Danielewski wrote the book in longhand and revised it with a word processor.
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